Hatch Show Print Giveaway

If you’re a fan of music, design and Americana then chances are you’re already familiar with the work of Hatch Show Print. Founded by Charles and Herbert Hatch in 1879, it’s one of the oldest working letterpress print shops in America. Located in Nashville, Hatch Show Print posters have featured a host of country music performers, ranging from Country Music Hall of Famers Hank Williams, Bill Monroe, and Johnny Cash to contemporary stars such as Garth Brooks and Wynonna.
hatch-show-print
Their technique, tried and true, has been to combine color, authenticity and a bold tactile design. According to their site they’ve “done it all without losing that irresistible appeal of turn-of-the-century Hatch posters, which were used to promote vaudeville, circus, and minstrel shows across the country. There’s a reason why music lovers, Americana buffs, graphic arts collectors and designers, and commercial advertisers of all persuasions continue to turn to Hatch for inspiration. We are, indeed, a tonic for the information age.”

To celebrate our launch, we’re excited to give away a limited edition Hatch Show Print (numbered and all) to the first 100 subscribers to The Parcel.

A Designer’s Delight: The Grand Budapest Hotel

Grand-Budapest-Hotel

Wes Anderson creates a world with his movies and the goal is for that world to come to life. His current film, The Grand Budapest Hotel certainly does that. Featuring a palette of pinks, violets and reds, the film tells the story of the charming, dedicated hotel concierge M. Gustave (Ralph Fiennes) as he fights to claim the inheritance left to him by one of his beloved clients (Tilda Swinton) from her villainous sons (Adrien Brody and Willem Dafoe).

Tips for Designing Luxury Packaging

luxury packaging tips
The Creative Director at Design Packaging Inc., Evelio Mattos, shared his tips for successful packaging design by stripping out the visual noise and creating timeless impressions through sensory primers. His post is full of great information and we love the #DPiPackTip’s, read it in it’s entirety here. We’re highlighting his top cues to consider:

1. Interactive – Guide consumers to self discover layered micro-interactions designed into the packaging or product. In addition to pop-ups, pull tabs, and unique closures think tactile substrates. If you follow P&P you know we are all about paper, some of our favorite go to’s for luxury packaging are those with a lush, suede like feel (Plike, Curious Cosmic, and Touché to name a few).

2. Audible – Higher pitched retail packaging can lower the perceived product value. Did you know thinner materials will provide a higher pitch than heavier weight materials? Some of our favorite choices for heavy weight shopping bags are text and cover papers in finishes like felt, vellum and eggshell (no coatings needed for protection).

3. Olfactive – Packaging designed with an unveiling process that considers powerful sensory cues, can transport users and create lasting olfactory impressions regardless of the environment their in. From traditional florals and food scents to non-traditional ones like suntan lotion and leather, scented ink offers a wide range of options.

4. Haptic – Nonverbal communication involving touch can impact a brand’s perception. Sharp folds and ease of use speak to quality and craftsmanship, both virtues of luxury. Redundant hand positions required to open packaging can reduce perceived product value.

5. Tactile – Tactile design features are able to create brand-defining cues. A classic tactile cue to luxury is pairing an all-over embossed uncoated paper with a sculpted metallic or high-gloss hot-stamp.

6. Closures – Much like fashion, packaging can be all about the accessories.  Luxury products require  a well designed layered unveiling process to build suspense up to the final reveal in the user’s personal environment.

7. Contrast Finishes – Classic visual cues to luxe, matte black with metallic gold, or crisp white with gloss black accents.  Our current favorite is copper foil on kraft paper, connoting luxury in an unexpected place.

8. Heritage – From custom papers, and fabrics, to stock materials with custom processes, luxury and prestige is a matter of restraint, not excess.

9. Anticipation – The idea of opening a box and revealing the final product immediately, leaves much to be desired. Poorly designed unveiling processes have been know to increase buyer’s remorse and product return rates.

10. Quality Control – Understanding how climate impacts materials and print processes at every stage of production through final user interaction is critical to understanding luxury packaging. This is why it’s so important to work with an experienced supplier, they’ll help guide you through the process.

Working on a luxury packaging project and need some help with paper selection or finding an experienced supplier in your area? Drop us a note at hello@parseandparcel.com.

 

The Paper Skin


You may not be familiar with Italian paper manufacturer Fedrigoni in the U.S., but rest assured they have been making fine papers for centuries. I was lucky enough early on in my career to have been introduced to their Constellation Jade papers by one of the best reps I’ve ever worked with (thank you Anita McKinley wherever you are). While not widely known in the U.S., if you are a designer or printer specializing in packaging you’ll want to get familiar with this grade offered by CTI Paper USA.

Constellation Jade is unique in that it is an embossed coated sheet with a matte coating on the back – but unlike any you have ever seen before. I hesitate to use the description “coated one side” because it hardly conveys all that this paper is. The sheet has a luminous quality due to the mica coating on the surface, it’s this coating that imparts an iridescent sheen to inks when they’re applied – flat grey ink takes on a shimmery, metallic appearance. In addition, the grade comes in a nine embossed patterns: Country, Reptile, Satin, Laser, Raster, Riccio, Silk, Wave, and Spring. If you don’t have this one in your swatchbox you really should.

This is a recent promotion designed by Geometry Global Frankfurt for Fedrigoni, The Paper Skin, showcasing Constellation Jade in a limited edition Leica X2 camera. A piece of paper merges an extraordinary packaging concept and an exceptional product into one. Sold in Fedrigoni showrooms only, the limited Edition of Leica Cameras is wrapped so intimately by fine paper, the “unboxing” reminds of a paper sample book and turns into a Fedrigoni brand experience. Finally, the paper also replaces the cameras traditional leather banderole and becomes an integral part of it and not just its packaging.




Neenah Environment – Fresh Colors, Raw Finish

Environment_Swatch_OpenIt’s hard to believe that Neenah Paper’s Environment grade has been around for 25 years, but it’s true. Long known for its sustainable offering of papers, the grade has been refreshed with a new look and some fab new papers added to the line, and we couldn’t be more excited to check it out.

After looking at the new swatchbook, designed by Jake and Pum Lefebure and the team at Design Army, it’s clear Neenah has given designers what they’ve been asking for: a fresh color palette inspired by natural, real-world surroundings. With descriptive names like Grocer Kraft, Honeycomb, Weathered and Concrete, the line includes seven new colors. Displayed in the swatch alongside the white & midtone shades, they create a simple, fresh waterfall of 30% – 100% PCW paper offerings. But wait, that’s not even the best part.
New_Environment4_1
Neenah added an amazing new tactile finish to the mix – RAW™. Described as “a unique hand and a generous loft,” we love the way it feels. It’s got a textured, earthy, natural quality to it – and the Grocer Kraft shade is available as a digital sheet as well. Finally, a go to kraft sheet for those smaller print runs. Oh and did we mention Neenah is stocking MATCHING ENVELOPES as well? They are, in 19 styles. And yes that includes catalog, booklet and – wait for it – No. 10 policy envelopes!! (Hello, we just found our correspondence envelope).
New_Environment5As if reading our mind, Neenah has thoughtfully designed this swatchbook to be a great print sample as well. The cover features the new Weathered 130#C and shows off how beautifully the sheet holds an emboss. Flipping it open, on the left side are six pages of print samples, showcasing everything from straight up four color process to silver metallic ink on the raw finish. This piece includes samples of embossing/debossing, opaque white ink on a digital application and a great die-cut and score.

Fresh Colors_Raw finishWe can think of hundreds of way to use this grade – luxury packaging, shopping bags, gift card sleeves, direct mail and the list goes on. So excited to try it, we especially want to see what that Concrete shade in the new RAW finish looks like with copper metallic ink on it. Did you know Neenah offers this really cool tool where you can upload your design and get a real, digital print proof on the actual paper stock you want to use? Such a great way to try before you buy.

Make sure to update your paper cabinet with the new Environment swatchbook, available today. We’d love to hear how you’re using the sheet, join our community and you could win a sampler featuring the new Environment papers.

Jameson St. Patrick’s Day Limited Edition Bottle


Inspired by the sights and sounds of its hometown, Dublin, Jameson is celebrating St. Patrick’s Day with a new limited edition design for it’s legendary bottle.

The fourth in its St. Patrick’s Day series, was designed by Dublin born illustrator, Dermot Flynn. Flynn’s illustrated label features the world-renowned Dublin pub, The Stag’s Head; historical figures such as W.B Yeats; and a selection of ‘local Dublin’ phrases to bring the city to life. Flynn’s design features across the Jameson Limited Edition bottle, St.Patrick’s.Day promotional materials, HelloDublin! website, festival promotional video and the ‘Win A Trip To Dublin!’ social media campaign.

 

A Tale of Two Type Designers

fontmen

Creatives know a typeface communicates more than just the mere words they carry, perhaps no two people better understand this premise than Jonathan Hoefler and Tobias Frere-Jones of Hoefler & Frere-Jones. For 25 years, they’ve helped brands develop unique voices through typography. The two are now embroiled in a $20 million lawsuit over their type foundry.

A short film, Font Men, presented by AIGA and directed by Dress Code, gives a peek behind the curtain into the world of Jonathan and Tobias. Tracing the history of their personal career paths, sharing the forces that united them and giving viewers an exclusive look into the successful empire they built before their split.

Font Men – SXSW 2014 Official Selection from dress code on Vimeo.

Recipients of the AIGA 2013 Medal, “Jonathan Hoefler and Tobias Frere-Jones are responsible for some of the digital era’s most well-designed and beautifully crafted typefaces. The type designers bring to their collaborative work a formidable knowledge of typographic history paired with an impeccable eye for combining, adapting and evolving traditional letterforms into entirely original type systems. As a duo, Hoefler and Frere-Jones have a singular ability to decode contemporary visual culture, translate it and express it in typefaces of considerable technical quality and emotional impact.” That certainly says quite about their contributions to design. Learn more about the duo in this profile by AIGA.

Introducing Parse & Parcel

Parse&Parcel1

I noticed the trend a few years ago, shortly after I transitioned from paper rep to eBusiness Manager at my former company, Millcraft. As I blogged about paper samples and mill promotions, designers started commenting about how they loved these new products. The more I wrote, the more requests I got asking how they could find these promotions. The thing was many of these samples weren’t necessarily new, in fact most had been out in the market for some time. As my conversations continued, I realized it’s not just paper promotions many designers were unfamiliar with, it was accessing the resources to help make the process easier. That’s when the switch flipped.

As a paper rep, my job was to help designers find solutions. On any given day, I’d meet with 4-5 different studios. Getting an appointment was never an issue, even at the busiest agencies – everyone made time to see the paper promotions. I’d bring them samples from their favorite paper mills, real jobs printed on papers designers loved. Some samples were over the top crazy, combining three or four different paper stocks with just as many techniques. They were always fun to share, you could see the wheels of creativity turn as designers ran their fingers over the pages, studying the various print techniques used. Other times, they’d ask for comps for project they were working on. I’d have our sample studio mock up dummies based on the specs they provided – even providing perfect binding if needed. I’d usually have these shipped out, sometimes I’d drop them off it was a really urgent request.

The problem is not every designer is able to get that kind of service. The perception is you need connections to score these kind of promotions, but here’s the truth – the services exist but local paper companies are selective about who they offer these types of services to. Paper companies tend to focus on businesses that print in large quantities because that’s where they make the most money. Jobs created by most design studios, freelancers and students don’t offer enough ROI to support servicing them. How do I know? Because I saw it happen first hand with my company, our competitors and our suppliers.

This is where Parse & Parcel comes in. From sourcing local product availability to comparing colors and textures to ordering swatch books and purchasing paper samples – I believe information and resources should be accessible to all designers regardless of size, quantity, location or client roster.

Throughout the site you’ll find valuable resources to help streamline the print process and assist with every phase of design – monthly curated collections of professionally designed print samples, a complete offering of swatchbooks neatly organized and beautifully packaged and a full service sample studio from which to choose paper and envelope samples or mock-ups. And you’ll want to join our mailing list so you never miss a thing and get the inside scoop on giveaways and promotions we’re offering.

Think of us as your own personal paper consultant. Because providing access to inspiration is just part and parcel for those who love working with the design community.

Welcome to Parse & Parcel, we’re so happy to have you here.

Cheers!
Jill

 

A Burger With a Side of Design

At first glance one might not make the connection between good design and burgers, but after reading a couple posts on The Message is Medium Rare, you get it. Conceived by the San Francisco-based design firm MINE, the project shares the creative insights gleaned from noshing on the all American classic.

“What we’ve found is that, if you look at the world both critically and with wonder, there are lessons to be learned everywhere. Every object, experience, relationship, environment, phrase—everything—has locked inside it an insight it wants to share. The only trick is remembering to look for it.”

While we’d follow the blog just for their critique of the food, the creative lessons are the juicy part. From expressing their misguided disdain for the use of Copperplate in logo design (as seen in on the menu of a Jewish deli), to the importance of restraint (lettuce, lettuce, lettuce), this blog is full of relevant design insights.

In a recent review of one burger joint, the team declares their meal met all of their expectations. They expressed their hopefulness of wanting to be surprised, but noted they received exactly what they came for and what they expected – adequacy. The creative lesson being don’t believe in miracles. “Designers — particularly those involved with branding — are in the business of crafting expectation. Everything, then, is a promise of something to come. When those promises are fulfilled, brands thrive. When they aren’t, they wither.”

Milton Glaser Designs Ads for Mad Men Final Season

Milton_Glaser_Mad_Men

It took until the final season of Mad Men, for the show’s creator to enlist the work of iconic graphic designer Milton Glaser. The man who is synonymous with the advertising look of the late 60’s will have the ads he designed for the premier of the final season begin appearing next week on buses and billboards around the country.

Mr. Glaser was inspired by a member of the team’s manipulation of his own work – the 1966 Bob Dylan poster that someone cut the hair out of and then pasted it upside down. Check out the full story of the collaboration in this article by the NY Times.

Like many design fans we’ve been antsy for the new season to begin. This is the perfect fix.