Century: 100 Years of Type and Design

Century: 100 Years of Type and DesignAll you have to do is open your eyes, it’s everywhere. From magazines and books, mobile screens and laptops, billboards and buildings, to packaging and products, Type is all around. That includes a new exhibit celebrating typography and its role in design over the past century at theAIGA National Design Center in NYC- Century: 100 Years of Type and Design. Created by Abbott Miller of Pentagram and curated and produced by Monotype, its part of the events honoring AIGA’s centennial year.

The exhibit runs through July 31st. AIGA members and the public are invited to view the Century exhibition at a reception during NYC x Design on Wednesday, May 14 from 6:00–8:00 p.m. at the AIGA National Design Center. According to AIGA, “Gathering rare and unique works from premier archives in the United States and London, Century will serve as the hub of a series of presentations, workshops and events held at the AIGA gallery as well as the Type Directors Club and the Herb Lubalin Study Center of Design and Typography at Cooper Union in New York City. The Century exhibition features a range of artifacts representing the evolution from typeface conception to fonts in use. Typeface production drawings by the preeminent designers of the last 100 years, proofs, type posters and announcement broadsides are supplemented by publications, advertising, ephemera and packaging.”

Pentagram shares some more details on their site, “The walls and ceilings have been dotted with hundreds of typographic periods drawn from the Monotype library, and a pair of dynamic animations further express the variations of different typefaces. The design sets the stage for the remarkable host of artifacts on display, including rare works from the archives of leading design organizations including Monotype, AIGA, Pentagram, Mohawk Paper, the Type Directors Club, Condé Nast, Hamilton Wood Type and Printing Museum, the Type Archive, the Herb Lubalin Study Center at Cooper Union, Alan Kitching and the Museum of Printing.” Here’s a peek inside the exhibit.




Swatchbook Update – The Curious Collection

It’s time to update your swatchbox, The new Curious Collection swatchbook was released by Appleton Coated. In addition to the incredibly tactile sheets the grade is known for, now designers have yet another option when looking for a textured and sustainable paper – Curious Matter®. A sheet whose finish is as unique as its pedigree, Curious Matter is made with potato starch and is a nice compliment to the existing papers in the Curious Collection.

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Available in cover weight only, “Curious Matter provides an unexpected texture with a richly matte surface and deep, ultra-pigmented colors,” says Ferkó X. Goldinger, marketing manager. “Curious Matter’s texture is achieved through a revolutionary, patented process where potato waste, up-cycled from the food industry, is metamorphosed into a sophisticated and tactile paper. The raw potato starch used in this process is a by-product of the food industry and is released from the processing of potatoes into chips and fries.”

The new swatchbook shows off the tactile feel of Curious Matter® on its cover, featuring Goya White 100#C, its paired with the silky smoothness of SKIN Curious Collection® Extra White 91 lb Text for the internal stock booklet. The Curious Translucents Clear 29 #T overlays in the swatch sections showing the full spectrum of Curious’ color. Other colors in the Curious Matter lineup include: Purple Majesty, Ibizenca Sand, Desiree Red, Andina Grey, Adiron Blue and Black truffle.

In addition to the Curious Matter, Curious Collection includes:

  • Curious Metallics – glittering alloy effects with a luminescent sheen offering a play of light.
  • Curious Cosmic® – otherworldly cover-only sheet with a remarkable soft matte metal effect
  • SKIN Curious Collection® – exudes touchability with vibrant, even, matte colors and a smooth, sensual texture
  • Curious Translucents – natural translucent papers that layer a sophisticated veil of show-through seduction
  • Curious Particles – 100% recycled papers filled with gold, silver or white flecks that add interest and sparkle
  • Curious Touch – features a fuzzy feel reminiscent of a peach

Update your swatchbox with this newest resource in tactile papers. Join our community to stay up to date on all the latest paper samples and print resources for creatives.

Here’s a peek at how one creative uses Curious Matter:

Curious Matter Making Off from Arjowiggins Creative Papers on Vimeo.

Print Samples – A Sensory Experience

I recently asked my fellow LinkedIn group members what’s the first thing you do when you receive a print sample. There were two responses that came up repeatedly.  One, there should be a support group for ink on paper sniffers; and two, print is a highly sensory experience. My experience with Sappi’s  promotion, Print &, is proof positive on the subject.
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This should come as no surprise to fans of print, but there’s scientific proof explaining why print has such an emotional influence on us. According to a study by Millward Brown, paper based marketing makes a greater impression on the brain than digital. They used MRI’s to test the same image used on screen and printed on paper and the test showed tangible materials leave a deeper footprint in the brain. We process print as being more “real” – it has a place and reference in our memory. The brain associates the tactile experience with its perception of the content, how’s that for subliminal messaging. If you haven’t seen it yet, the print promotion, Print &, by Sappi is proof positive on the subject.
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Designed by Studio Hinrichs and printed entirely on McCoy Silk, this piece put me in sensory overload. I found myself doing exactly what others in the discussion had stated. First I ran my hand across the luxurious cover, noticing the smooth hand of the paper and then feeling the spot gloss UV on the image. As I opened the cover, I give the sheet a good flick with my thumb and listen for a snap. It’s my little test of a quality cover stock, at 130# this sheet holds up. As you may noticed by now, I am all about the tactile experience when it comes to print samples.

Inside, I am drawn to the soft touch coating on the interior cover. I page through the piece and am struck by the gorgeous combination of photography, illustration and typography Studio Kinrichs is known for. I notice the balance between the positive and negative spaces. Stopping on a spread that calls readers to interact, I pay attention to the solid black area to see if it passes the “orange peel” test. I scour it looking for the tiniest imperfection in coverage (non-glare coated papers are very unforgiving when it comes to large areas of solids like black or metallics). Of course there’s none – this is McCoy we’re talking about.
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As I continue to flip through the piece, I cannot believe I am going to admit this next part, I pull the sample close to my face and take in a good whiff. I’m shameless in my approach. I don’t even check to see if anyone’s looking, I close my eyes and inhale. Before you judge, know that almost everyone who responded to this thread admitted to doing the same thing, along with some other behaviors that could be cause for another study.
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Now that I’m over my initial sensory experience, I dig into the content. And man, does this piece deliver. Full of interesting tidbits like “consumers that can afford to access information in any medium state a preference for print.” This translates to over 460 publications alone targeting the wealthy, a 400% increase since 1997. “Print improves brand perceptions and customer engagement,” and “Among 18 to 24 year olds, 69% say they prefer print and paper communications to reading off a screen.” All of this proving how print & other mediums drive greater success using a smart push-pull marketing approach.

This piece would win a place in my keeper file for the design alone, but the fact that it’s coupled with amazing print techniques throughout, stunning photography and illustrations all backed by powerful content makes it one for The Parcel as well. This is what I call paper inspiration. To learn more, sign up to join our community and get inspiration delivered to your inbox.

About + Samples – by Arjowiggins

Arjowiggins Creative Papers have developed a limited edition book, About + Samples better known as “A+S61.” Designed by stereochromie in Paris, the piece is meant to serve as a working tool and a beautiful object. The promotion was designed for “art directors and those brands wishing to communicate in a way that is arresting and distinctive.” The ‘A’ tells the story of Arjowiggins papers and their intimate secrets. The ‘S61’ presents a selection of Arjowiggins 61 most coveted papers.

The two grades selected for the book covers are Curious Matter and Conqueror. The box encasing the books is produced on Keaykolour 100% recycled Camel. The packaging the promotion comes in is on Keaykolour 100% recycled Graphite. Deciding to highlight the paper itself, the design is understated and the debossed text appears like a shadow on the cover stock. Matching the minimalist design, the print technology has been kept simple as well, using unvarnished type printed in match silver to reveal the grain of the paper.

Developed as a limited edition sample promotion (only 1,000 were produced), it was sent to industry trendsetters with a focus in France, Italy, UK and Northern Europe – where Arjowiggins felt luxury brands and designers are especially active. Since the piece is so gorgeous, we can overlook the fact the promotion didn’t make it to North American – although we would love to see that arrive in our http://parseandparcel.com/the-sample-studio/. In the U.S., their Curious Collection of papers are distributed via Appleton Coated.

To see more paper inspiration like A+S61 delivered to your inbox, join the Parse & Parcel mailing list .


Paper Parse – Eames by Neenah

Parse – \ˈpärs\ to examine in a minute way : analyze critically

Paper Parse is a new series where we take a deeper look at a specific paper, it’s product considerations, specs and applicable uses. The first grade we’ll profile has ties to design legends Ray and Charles Eames.

Launched in 2005, the Eames Paper line has been revamped and is part of the brands comprising The Design Collection from Neenah Paper. So if you still have the old swatchbook, time to upgrade. Inspired by the work and philosophy of Ray and Charles Eames, in our opinion this grade is all about the finish.

The first thing we notice about this grade is the tactile feel of the papers. The patterns and textures of these papers naturally lend themselves to haptic design. Designers can choose from Vellum, Diffused and Canvas finishes – all of which beg to be touched.

The vellum finish provides just enough toothiness, lending a nice hand to the sheet. It’s a great alternative to the multitude of smooth options available in the market. With a range of basis weight from 24# Writing, 80 – 100# text and 80, 100, 120# cover, it’s perfectly suited for identity systems. The writing weight is also guaranteed for laser and ink jet printing, which is good to know as the last thing you want is to spec paper for a system and NOT have it work in the client’s printer, but that’s what samples are for. Did we mention the vellum finish also comes in a digital?


Eames Vellum in Solar White – Image via Under Consideration

The diffused finish has a rippled, crepe like texture inspired by the movable panels in the Eames’ home. If you have the swatchbook, flip open the waterfall and pick up the sheet – it feels unlike any other paper on the market. The heft of the sheet is just different. While this sheet is simple in terms of specs: one basis weight – 50# text, and one color – Eames White; its texture offers depth. I love this sheet as an alternative to a typical fly sheet. It’s light weight and has a translucent quality to it yet still provides opacity – and looks crazy good when printed, especially with metallic inks. A couple things to note, it is not recommended for aqueous coating, thermography or engraving, but none of that would stop us from using this. We should mention it handles scoring and folding exceptionally well.

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Eames Architecture Diffused – Image via Neenah Paper

With the broadest offering of color in the line, the canvas finish imparts an amazing pattern to the sheet and feels like a painter’s gessoed canvas. The palette was based on the colors used in the Eames’ artwork. Available in Eames Solar White, Eames White, Eames Natural White, Brown Umber and Graphite (our favorite) it comes in 80# text and 80 – 100# cover and features a rich emboss canvas, creating a dense surface offering exceptional ink holdout. This sheet really offers some bang for the buck. If you think about it, with this sheet you get paper and an emboss pattern all for the price of the paper. This sheet is ideal for packaging applications – take a look at how well the Design Collection swatchbook folds, scores and embosses (even with a silver foil on the spine).


Eames Canvas in Brown Umber -Image via Under Consideration

With its universal color palette, and complimentary finishes, this grade easily lends itself to mixing and matching. Oh and they offer a wide range on envelope options on their website in both the canvas and vellum finish.

We could envision a product catalog using Eames Canvas on the cover with heavy ink coverage, opening to a fly sheet featuring type in gold metallic ink on Eames Diffused and then beautifully showcasing lifestyle images on the Eames Vellum text.  Check out how House Industries used it for their catalog. If you’ve used Eames Papers on a project, we’d love to see it – drop us a note or share using #parseandparcel. In the meantime, join our mailing list and get paper inspiration like Eames Papers delivered to your inbox.

*Note – some of you familiar with the line prior to its inclusion in The Design Collection may be asking where is the furniture finish. Sorry to break the news, but it has been discontinued. However, if you are searching for that weave texture the furniture finish offered, look no further than the next selection in The Design Collection swatchbook – Esse, but we’ll save that exploration for another post.

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Above Images Via House Industries

5 Tips for Choosing Earth Friendly Papers

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Here are top tips but if you are looking for more info, check out our earlier post on the subject.

1. Choose paper with the highest amount of PCW content for the job. Did you see that last part? For the job. Just because a sheet is 100%PCW does not mean it is appropriate for every print project.

2. Select a sheet that is manufactured with third party chain of custody certification. Today that means one of three options: FSC (Forest Stewardship Council), or SFI (Sustainable Forestry Initiative), These certifications insure that the paper is coming from a well-managed forest.

3. Select paper that is manufactured with renewable energy – think wind power, solar, bio-mass, hydroelectric – to name a few. Look for the Green-e logo on the swatchbook to insure your paper is made with renewable energy.

4. Select paper that is manufactured chlorine free. When paper is recycled, the manufacturers need to remove the ink on the sheet being recycled – that is done by bleaching.

5. Look for papers made close to home. Sounds simple, but sometimes I think specifiers forget about this and only focus and PCW and FSC – while both are important, if you spec paper that’s made a world away you negate all of the good in your choice by the toll it takes on the environment during transport.

Our go to earth friendly papers:
Appleton Coated U2:XG
Mohawk Loop
Neenah Environment (more info on this newly relaunch grade)
Sappi McCoy

For more tips like this, sign up to receive paper inspiration delivered to your inbox.

Mohawk Maker – Pride in the Details

Issue Three of the Mohawk Maker Quarterly is out. If you’re not familiar with the Mohawk Maker campaign, it celebrates the culture of craft and the maker movement – you can read more about it in our earlier post Mohawk is for the Makers. The current issue is about the details that make the artisans work authentic.

One of the details in this piece is the paper it’s printed on: Strathmore Pure Cotton. Strathmore has been around for over a century, with it’s heritage stemming from Scotland’s Strathmore Valley and the country’s national symbol, the thistle. Strathmore’s founder, Moses Horace pioneered the print promotion as we know it, collaborating with a graphic artist and printer, the promotion paved the way for craftsmanship in papermaking. This spirit of collaboration between designers and Strathmore continued throughout the twentieth century, including such design icons as Paul Rand and Milton Glaser. In this issue of the Maker Quarterly, Mohawk continues this tradition of collaboration with a print dedicated to the importance of details by graphic designer and letterer, Jessica Hische.

The centerfold reveals a bold and unexpected surprise: a poster illustration commissioned for Mohawk featuring the Wes Anderson quote, “The details that’s what the world is made of”. All of the images in the illustration refer to Wes Anderson’s movies, see if you can recognize them in this time lapse video above showing Jessica at work illustrating the poster. For a better look at the details, subscribe to The Parcel and get loads of paper and design details (including this one) delivered to your doorstep monthly or join our free mailing list and get paper inspiration delivered to your inbox.

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Foil Stamping Basics

One of the things we love about paper is that it is offers the designer so many options. While we get to work with creatives on projects that use all kinds of print techniques, we thought we’d profile the basics of one of our favorites – foil stamping.

L.A Magazine «Les Ambassadeurs», couverture n°11

Foil stamping is a process that uses a metal plate that has been engraved with an image of the desired design to be foil stamped. The die or sculpted metal plate comes in contact with the foil and transfers a thin layer of the foil film onto the surface. As the metal plate is heated, the foil sticks to the surface only in the design of the plate and in the areas with the desired imprint.The result is a finished piece with a highly reflective image.

The Art of the Thank You Note

art-of-thank-youThey say the handwritten note is making a comeback. The reason for the resurgence in popularity is obvious to those who understand the note conveys so much more than those two words. As we spend our days in a digitally dominated world, it means something to sit down and write a message in your own handwriting. It’s just a nice thing to do, both for the unsuspecting recipient as well as you, the writer. There was a great article in the NY Times recently that’s worth a read on the subject.

There is nothing that makes me happier than the act of selecting the perfect paper to express my gratitude to someone. This goes back to gradeschool, when my best friend Cindy and I began collecting stationery. We loved sending notes to friends and teachers. Today I’m fortunate to have access to some of the most beautiful papers made, so the idea of selecting just one can be a little daunting.

When I’m sending a note from Parse & Parcel, it’s easy. I’m using our notecards printed on Classic Crest Solar White Stipple 130# Cover, featuring our signature dotted rule and logo, hand stamped in silver metallic. It all fits neatly inside a no. 10 policy envelope in either black or kraft. It’s the details like an envelope flap style that make the difference.

For a more casual note of thanks to friends, I lean towards color. Some of my favorites are Poptone’s Orange Fizz, Astrobrights Lunar Blue and Mohawk Via Safety Yellow. Although, I am loving the new color palette in Environment, especially that raw finish in Honeycomb, so friends may start to see that one in the mix.

Other factors I consider beside color are basis weight and texture.  I like a paper stock with some heft to it, usually opting for 120# – 130# cover and depending upon the writing instrument  I am using, I will usually go with a tactile finish – somewhere between a wove and a toothy vellum.

The biggest source of angst among the design community when it comes to note cards is probably the envelope, but it shouldn’t be. Finding envelopes in your color and size of choice is so easy now. Unlike how the industry worked just a few years ago, you no longer have to worry about selecting a paper whose matching envelope was stocked locally. It used to be only one or two national envelope converters were responsible for making all of the proprietary envelopes for the paper mills. Which meant the local merchant needed to stock them if you, the designer, wanted to to use one in a smaller quantity (by small I mean less than a carton which is usually 2500 envelopes/250 per box). As a former paper rep, I can tell you this was frustrating for all parties involved: designer, printer and paper merchant. Thankfully that all changed a few years ago when mills like French, Neenah, Mohawk and Reich began converting and stocking their own envelopes and making them available in small quantities online. The minimums vary by mill, but some are available in quantities as small as 10 envelopes!

So if you haven’t started writing thank you notes yet,  give it a try. I guarantee you it’s not so much what you say but the fact that you took the time to sit down and write a note for someone personally that will be remembered.

Paper Inspiration: Samples Delivered to Your Doorstep

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Is it any wonder creatives are frustrated when it comes to print? Designers love print, yet convincing clients to invest in it can be difficult – especially when budgets are tight. Samples are a great way to show clients how print creates brand value, but accessing them is another story. Relying on sales reps only gives you a small idea of what’s available and limits you to one company’s capabilities. We know what it’s like to see all these incredible print projects being produced but have no idea how to find the resources to produce work featured in your favorite industry magazine and online publications.  Paper inspiration starts with access – how can you spec it if you don’t know it exists?

PAPER INSPIRATION DELIVERED TO YOUR DOOR

Each month subscribers of The Parcel receive a curated box of luxe paper, print and design samples. Meant to help educate and inspire, The Parcel showcases samples from your favorite paper mills like Neenah, French, Mohawk, Sappi and more.

Here’s how it works:

  • Choose from our monthly our yearly subscription packages
  • Each shipment includes 5 – 7 premium print + graphic design samples
  • Showcasing premium suppliers and paper options
  • 1-2 personalized samples for your design preferences (ex. Letterpress printing, identity, illustration, etc.)
  • Tutorials showing you print techniques, trends + tips from industry experts

Our experts personally curate the samples each month and include highlights on each piece we think are unique and interesting. Included in each shipment is an interactive tutorial – learn about the latest design trends and print techniques from your phone or tablet. In addition, each shipment of The Parcel includes detailed production notes, you’ll know exactly how something was produced so you can show your client (or printer) what to expect when using those techniques in your own design.

Who it can help:

  • Freelancers who don’t have anyone calling on them and don’t know where to turn for help
  • Junior designers and students looking to build a stellar library of samples that can assist them throughout their career
  • Creatives who feel their options are limited due to in-house print shop requirements – the proof is in the paper samples
  • Print sales reps looking to expand their customer base through great paper and print samples
  • Paper merchants who don’t have a dedicated specification sales force but still want to educate their market
  • Creatives looking to learn about the latest design trends and print techniques

THE PARCEL helps during the creative process by showing exactly how a project was produced, which also helps keep production costs in check – not to mention avoids disappointing clients later on.  Think of it as your own personal paper rep.

#deliveringpaperinspiration