Singapore-based design and branding company Oddds recently completed a new project—rebranding themselves—in what they call “The New Anthropology.” Drawing from studies of humanity, culture, and design, Oddds has taken typography and iconography to a whole new level. The whole project is influenced by elements of mysticism and illusion; inspirations like the sea speak to the company’s clean aesthetic.
It’s been a busy year at Parse & Parcel. We launched our business complete with a new website and subscription products, moved into a new space, set up The Sample Studio and added two members to our team – Molly & Chris. I am incredibly grateful to be able to do what I love and help the print and design community that means so much to me. I knew I wanted to do something special this holiday season to say thank you to everyone who has supported Parse & Parcel this past year. With that being said, I wanted whatever we did to be true to our mission to help educate and inspire. What better way to deliver paper inspiration than by sending each member of our mailing list a set of custom holiday cards?
I knew I wanted to give something special to our members that would be both education and functional, so I decided to focus on using colored and textured paper stocks to demonstrate what could be done with digital printing. I chose digital because although it’s used a lot, I still don’t see much being produced on tactile, color paper.
Last month I was having a discussion in my LinkedIn group regarding business card trends prompted by my previous blog post, Edge Painting is the New Black. A fellow member commented that 99% of his clients are looking to produce business cards in an efficient and inexpensive way, and most who do request a specialty print technique back off due to sticker shock. While I respect his expertise, I disagree that price alone is the reason for it. I noted that just a few years ago, the same could have been said for heavyweight, duplex business cards on premium papers. Then along came MOO.com – somehow they figured out a way to offer a well-produced, quadplex business card on a premium text and cover paper that was not only affordable but easily accessible to anyone. My hope was the same thing would happen with specialty print techniques. At the time I posted that comment, little did I know MOO was days away from launching a new product answering my request – MOO Letterpress, the feel of letterpress business cards made accessible and affordable.
If you’ve been following along on P&P you know that I love working on identity projects. While of course I’m partial to the paper specification process, I do appreciate all aspects of a well designed identity system. I’m always intrigued by the process, particularly what inspires certain concepts. In this identity for F61, a small print work shop in St. Petersburg, the logo was inspired by the schematics of printing equipment. Look carefully and you will see the angles and curves of the type follow that of the cylinders of a press. How great is that – a print equipment inspired identity.
Edge painting, edge coloring, colored edges – whatever you call it, is the hottest trend in business card design. The process is not new by any means, but it’s definitely getting a lot of exposure these days and with good reason – it makes a huge impact. When using engraving ink for this process you can expect a shimmery edge on metallics or a flat, matte effect on colored edges. For the uber-shiny look metallic foil edges are the way to go. Double the wow-factor when combining with other special print techniques like letterpress or embossing.
When it comes to print, few techniques convey such an intense sense of artistry and craftsmanship as engraving. Did you know engraving’s modest beginning produced a system enabling mass communication and the spread of priceless art? It was actually the first way to enlighten the masses. It’s a tradition steeped in history and the website from Neenah Paper, The Beauty of Engraving, is dedicated to the craft. Detailing the milestones of engraving’s history, the site also showcases the work of contemporary designers using the medium today in a series of prints. The newest addition to the series was created by lettering artist, Kevin Cantrell, and we’re super excited to be able to giveaway 10 of these limited edition prints to our audience.
I’ve always loved Canada. Growing up in Buffalo, NY, Canada felt like an extension of home. It is just on the other side of the Niagara river, accessible via four bridges from the greater Buffalo area. As a kid, my family traveled to Canada often, passports weren’t necessary then and traffic was nothing like it is now. There is still something magical about Canada to me. Even with the added inconveniences I still love visiting our neighbor to the North. So when I realized summer was almost over and we still hadn’t taken a trip of any sorts, I set my sites on one of my favorite spots – Niagara-on-the-Lake.
Where did summer go? We’ve been busy bees this month, filling orders, packing and shipping The Parcel and moving into our new digs in Cleveland. This past week we started stocking The Sample Studio, a giant 40′ wall of floor to ceiling paper samples. Aside from a few minor paper cuts, it’s coming along nicely. Stay tuned – we’ll be sharing more on that in a bit.
At its most basic form, an annual report must communicate credibility and transparency. These days most companies opt to share this information online. We get it, annual reports can be expensive. However we’d argue isn’t the whole point to establish a connection that’s memorable with shareholders? That’s exactly what this annual report from KTG Group does.
I confess, I still read the paper. Not everyday, only on Sundays when I know I have the time to enjoy it. Maybe I’m old school, but there is something about the look and feel of newsprint that I trust. Don’t get me wrong, my feedly app is the first thing I check during the week, but on the weekends I’m all about slow information. So you can imagine my excitement when I saw the recent project by the team at Tag Collective for Schnitz, a restaurant in NYC, featuring a custom newspaper.